ЗНО для вчителів англійської мови 2025 року – основна сесія

Task 2

What is the key to making a language system popular?

Why do drawings (in particular emojis) have certain advantages over conventional writing systems?

What does the author of the review say about the book Being a Teacher?

How did the book Being a Teacher help the author of the review?

How does the Broadway version of Smash differ from the original TV show?

Why was the character of Ivy Lynn changed?

Task 3

For Andria art is a way ________.

What did Andria find hard about her own artistic profession?

What is stated in the interview about Andria’s approach to teaching?

Why does Andria say that teachers need more appreciation?

What is the most essential factor for building relationships with students, according to Andria?

What does Andria find important for a future teacher?

Why does Andria believe that Arts should be among the main subjects at school?

Which of the following is NOT mentioned in the interview about teachers?

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

What is the difference between tourists and explorers, according to the passage?

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

What is the outcome of tourism?

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

Which statement is TRUE, according to the passage?

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

Which factor DOES NOT contribute to the spread of tourism, according to the passage?

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

What can be inferred from the passage?

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

According to the passage, tourism affects everything EXCEPT ________.

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

What is stated in the passage?

Task 5

People have always had a need to travel, be it to explore and discover new lands or for our own enjoyment. This is tourism – the act and process of spending time away from home in pursuit of recreation, relaxation, and pleasure. Tourism is distinguished from exploration, in that tourists follow a “beaten path,” benefit from established systems of provision, and, as it befits pleasure-seekers, are generally insulated from difficulty, danger, and embarrassment. Tourism, however, overlaps with other activities, interests, and processes, including, for example, pilgrimage. This gives rise to shared categories, such as “business tourism,” “sports tourism,” and “medical tourism” (international travel undertaken for the purpose of receiving medical care). The rise of cultural tourism, sustainable tourism, and inclusive tourism reflects a shift towards more specialized and responsible travel experiences. By the early 21st century, international tourism had become one of the most important areas of economic development in the world, and its impact was becoming increasingly apparent from the Arctic to Antarctica. The history of tourism is therefore of great interest and importance.

Being a tourist is one of the defining characteristics of being modern and the popular concept of tourism is that it is organised within particular places and occurs for regularised periods of time. Tourist relationships arise from a movement of people to and their stay in various destinations. This necessarily involves some movement that is the journey and a period of stay in a new place or places. The journey and the stay are by definition outside the normal places of residence and work and are of a short term and temporary nature and there is a clear intention to return home within a relatively short period of time. The tourism industry offers a wealth of opportunities, not just for economic growth but also for cultural exchange and environmental awareness. Innovative resorts and hotels are at the forefront of this exciting journey, redefining hospitality and shaping the future of travel.

As such, tourism is a product of modern social arrangements, beginning in Western Europe in the 17th century, although it has antecedents in Classical antiquity. We can trace the origin of the modern concept of tourism back to the 17th century, when young nobles from western and northern European countries made what was called the Grand Tour – a trip around Europe (usually covering France, Germany, Italy and Greece) with the goal of soaking up history, art and cultural heritage. Modern tourism is an increasingly intensive, commercially organized, business-oriented set of activities whose roots can be found in the industrial and postindustrial West. Today, the tourism sector has become one of the great economic engines in many countries, forming part of the international political agenda. New socialized forms of provision have developed in order to cope with the mass character of the gazes of tourists as opposed to the individual character of travel. Places are chosen to be visited and be gazed upon because there is an anticipation especially through daydreaming and fantasy of intense pleasures, either on a different scale or involving different senses from those customarily encountered. Such anticipation is constructed and sustained through a variety of non-tourist practices such as films, TV, literature, magazines, records, and videos which construct and reinforce this daydreaming.

Transport innovation was an essential enabler of tourism’s spread, and democratization, and its ultimate globalization. The steamships and the railway brought greater comfort, and speed, and cheaper travel, in part because fewer overnight and intermediate stops were needed. Railways promoted domestic as well as international tourism, including short visits to the coast, city, and countryside which might last less than a day but fell clearly into the “tourism” category. Rail travel also made grand tour destinations more widely accessible, reinforcing existing tourism flows. In recent years, with low-cost flights and the existence of accommodations, managed by online companies, it is much easier for tourists to afford to travel and they can design their itinerary and experiences to their hiking.

Tourism not only impacts the local economy, but it is also starting to affect the social structures, culture and lifestyle of the destinations visited. Tourists tend to visit features of landscape and townscape which separate them off from everyday experience. Isolated from the host environment and the local people the mass tourist travels in guided groups and finds pleasure in inauthentic contrived attractions gullibly enjoying the pseudo- events and disregarding the real world outside. The viewing of these tourist sights often involves different forms of social patterning with a much greater sensitivity to visual elements of landscape or townscape than is normally found in everyday life. People linger over these sights in a way that they would not normally do in their home environment and the vision is objectified or captured through photographs, postcards, films and so on which enable the memory to be endlessly reproduced and recaptured.

Tourism became even bigger business internationally in the latter half of the 20th century. The globalization that has taken place in recent years has not been a one-way process; it has entailed negotiation between hosts and guests. That is why to service the burgeoning tourist industry, an array of professionals has developed who attempt to reproduce ever new objects for the tourist to look at. These objects or places are located in a complex and changing hierarchy. This depends upon the interplay between, on the one hand, competition between interests involved in the provision of such objects and, on the other hand changing class, gender, and generational distinctions of taste within the potential population of visitors. It has been said that to be a tourist is one of the characteristics of the modern conduct. It is becoming a custom. Not to go away is like not possessing a car or a nice house. Travel is a marker of status in modern societies and is also thought to be necessary for good health. The role of the professional, therefore, is to cater for the needs and tastes of the tourists in accordance with their class and overall expectations.

Task 6

You Must Be Joking: Comedy as a Tool for Climate Action

In the last few years, comedy has been making its entry into the world of effective climate communication. Efforts like Climate Science Breakthrough in the UK, where comedians “translate” the analyses of straight-faced climate scientists, to the YouTube series Politically Aweh in South Africa, which discusses climate science with the use of TV show clips, are working to break the barriers to public engagement on climate change through humour.

Comedy has a fantastic ability to lower people’s defences and make hard-to-stomach topics more digestible. It has a long history of addressing tough topics. (34)________ Netflix shows like Baby Reindeer, about the screenwriter’s experience of being stalked, and Feel Good, a romcom about a comedian struggling with substance abuse, are two recent examples of humour being used to tackle trauma and emotionally heavy topics. A light-hearted tone and a touch of self-deprecation can go a long way to dismantling psychological defences to discussions about the climate and other topics we'd prefer not to think about.

Fast forward to a year after my first attempt at stand-up comedy, and I was collaborating with Countdown Comedy Club, an open mic show based in Brussels, to host an open mic night all around the theme of the climate. I’m used to being a token activist in the comedy scene. (35)________. But both seasoned comedians and newcomers took the stage to discuss their traumas from the German train system, the difficulty of dating while eco-anxious, and the love-hate relationship with cycling in the city. The bar was packed. And a lot of the audience members came from nearby offices of non-governmental organizations and European institutions. (36) ________.

Those of us already involved in activist movements, working in advocacy or elsewhere at the frontlines of tackling climate change, have to cope with constant exposure to negative news, and the knowledge that we’re working against sickeningly high stakes. In my own full-time job, I find myself pendulum-swinging between despair about the state of the world and obsessive workaholism to regain some sense of agency over the situation. (37)________. The overwhelming reaction made it clear how many people are struggling with the same.

Comedy faces the criticism that it risks trivialising serious topics. On particularly stressful days, I’ve stopped halfway through drafting sketches and wondered how I could ever joke about something like catastrophic flooding or destabilised food supply chains. But I did. And those have been some of my best performances. (38)________.

I feel that approach makes a difference. It allows the audience to relax. Just like in my online writing about burnout, the personal approach has served to create a more accessible and human space to discuss serious topics and break down barriers. It’s not just something I do for the audience’s benefit either. Sharing my work and its frustrations with other people can serve as a far healthier coping mechanism than sitting at home doomscrolling. As humans, we need comedy. (39)________. So, if you are a good scientist, we need climate scientists. If you are a good artist, we need artists, too. And if you're funny, we need climate comedians. I’m not joking.

You Must Be Joking: Comedy as a Tool for Climate Action

In the last few years, comedy has been making its entry into the world of effective climate communication. Efforts like Climate Science Breakthrough in the UK, where comedians “translate” the analyses of straight-faced climate scientists, to the YouTube series Politically Aweh in South Africa, which discusses climate science with the use of TV show clips, are working to break the barriers to public engagement on climate change through humour.

Comedy has a fantastic ability to lower people’s defences and make hard-to-stomach topics more digestible. It has a long history of addressing tough topics. (34)________ Netflix shows like Baby Reindeer, about the screenwriter’s experience of being stalked, and Feel Good, a romcom about a comedian struggling with substance abuse, are two recent examples of humour being used to tackle trauma and emotionally heavy topics. A light-hearted tone and a touch of self-deprecation can go a long way to dismantling psychological defences to discussions about the climate and other topics we'd prefer not to think about.

Fast forward to a year after my first attempt at stand-up comedy, and I was collaborating with Countdown Comedy Club, an open mic show based in Brussels, to host an open mic night all around the theme of the climate. I’m used to being a token activist in the comedy scene. (35)________. But both seasoned comedians and newcomers took the stage to discuss their traumas from the German train system, the difficulty of dating while eco-anxious, and the love-hate relationship with cycling in the city. The bar was packed. And a lot of the audience members came from nearby offices of non-governmental organizations and European institutions. (36) ________.

Those of us already involved in activist movements, working in advocacy or elsewhere at the frontlines of tackling climate change, have to cope with constant exposure to negative news, and the knowledge that we’re working against sickeningly high stakes. In my own full-time job, I find myself pendulum-swinging between despair about the state of the world and obsessive workaholism to regain some sense of agency over the situation. (37)________. The overwhelming reaction made it clear how many people are struggling with the same.

Comedy faces the criticism that it risks trivialising serious topics. On particularly stressful days, I’ve stopped halfway through drafting sketches and wondered how I could ever joke about something like catastrophic flooding or destabilised food supply chains. But I did. And those have been some of my best performances. (38)________.

I feel that approach makes a difference. It allows the audience to relax. Just like in my online writing about burnout, the personal approach has served to create a more accessible and human space to discuss serious topics and break down barriers. It’s not just something I do for the audience’s benefit either. Sharing my work and its frustrations with other people can serve as a far healthier coping mechanism than sitting at home doomscrolling. As humans, we need comedy. (39)________. So, if you are a good scientist, we need climate scientists. If you are a good artist, we need artists, too. And if you're funny, we need climate comedians. I’m not joking.

You Must Be Joking: Comedy as a Tool for Climate Action

In the last few years, comedy has been making its entry into the world of effective climate communication. Efforts like Climate Science Breakthrough in the UK, where comedians “translate” the analyses of straight-faced climate scientists, to the YouTube series Politically Aweh in South Africa, which discusses climate science with the use of TV show clips, are working to break the barriers to public engagement on climate change through humour.

Comedy has a fantastic ability to lower people’s defences and make hard-to-stomach topics more digestible. It has a long history of addressing tough topics. (34)________ Netflix shows like Baby Reindeer, about the screenwriter’s experience of being stalked, and Feel Good, a romcom about a comedian struggling with substance abuse, are two recent examples of humour being used to tackle trauma and emotionally heavy topics. A light-hearted tone and a touch of self-deprecation can go a long way to dismantling psychological defences to discussions about the climate and other topics we'd prefer not to think about.

Fast forward to a year after my first attempt at stand-up comedy, and I was collaborating with Countdown Comedy Club, an open mic show based in Brussels, to host an open mic night all around the theme of the climate. I’m used to being a token activist in the comedy scene. (35)________. But both seasoned comedians and newcomers took the stage to discuss their traumas from the German train system, the difficulty of dating while eco-anxious, and the love-hate relationship with cycling in the city. The bar was packed. And a lot of the audience members came from nearby offices of non-governmental organizations and European institutions. (36) ________.

Those of us already involved in activist movements, working in advocacy or elsewhere at the frontlines of tackling climate change, have to cope with constant exposure to negative news, and the knowledge that we’re working against sickeningly high stakes. In my own full-time job, I find myself pendulum-swinging between despair about the state of the world and obsessive workaholism to regain some sense of agency over the situation. (37)________. The overwhelming reaction made it clear how many people are struggling with the same.

Comedy faces the criticism that it risks trivialising serious topics. On particularly stressful days, I’ve stopped halfway through drafting sketches and wondered how I could ever joke about something like catastrophic flooding or destabilised food supply chains. But I did. And those have been some of my best performances. (38)________.

I feel that approach makes a difference. It allows the audience to relax. Just like in my online writing about burnout, the personal approach has served to create a more accessible and human space to discuss serious topics and break down barriers. It’s not just something I do for the audience’s benefit either. Sharing my work and its frustrations with other people can serve as a far healthier coping mechanism than sitting at home doomscrolling. As humans, we need comedy. (39)________. So, if you are a good scientist, we need climate scientists. If you are a good artist, we need artists, too. And if you're funny, we need climate comedians. I’m not joking.

You Must Be Joking: Comedy as a Tool for Climate Action

In the last few years, comedy has been making its entry into the world of effective climate communication. Efforts like Climate Science Breakthrough in the UK, where comedians “translate” the analyses of straight-faced climate scientists, to the YouTube series Politically Aweh in South Africa, which discusses climate science with the use of TV show clips, are working to break the barriers to public engagement on climate change through humour.

Comedy has a fantastic ability to lower people’s defences and make hard-to-stomach topics more digestible. It has a long history of addressing tough topics. (34)________ Netflix shows like Baby Reindeer, about the screenwriter’s experience of being stalked, and Feel Good, a romcom about a comedian struggling with substance abuse, are two recent examples of humour being used to tackle trauma and emotionally heavy topics. A light-hearted tone and a touch of self-deprecation can go a long way to dismantling psychological defences to discussions about the climate and other topics we'd prefer not to think about.

Fast forward to a year after my first attempt at stand-up comedy, and I was collaborating with Countdown Comedy Club, an open mic show based in Brussels, to host an open mic night all around the theme of the climate. I’m used to being a token activist in the comedy scene. (35)________. But both seasoned comedians and newcomers took the stage to discuss their traumas from the German train system, the difficulty of dating while eco-anxious, and the love-hate relationship with cycling in the city. The bar was packed. And a lot of the audience members came from nearby offices of non-governmental organizations and European institutions. (36) ________.

Those of us already involved in activist movements, working in advocacy or elsewhere at the frontlines of tackling climate change, have to cope with constant exposure to negative news, and the knowledge that we’re working against sickeningly high stakes. In my own full-time job, I find myself pendulum-swinging between despair about the state of the world and obsessive workaholism to regain some sense of agency over the situation. (37)________. The overwhelming reaction made it clear how many people are struggling with the same.

Comedy faces the criticism that it risks trivialising serious topics. On particularly stressful days, I’ve stopped halfway through drafting sketches and wondered how I could ever joke about something like catastrophic flooding or destabilised food supply chains. But I did. And those have been some of my best performances. (38)________.

I feel that approach makes a difference. It allows the audience to relax. Just like in my online writing about burnout, the personal approach has served to create a more accessible and human space to discuss serious topics and break down barriers. It’s not just something I do for the audience’s benefit either. Sharing my work and its frustrations with other people can serve as a far healthier coping mechanism than sitting at home doomscrolling. As humans, we need comedy. (39)________. So, if you are a good scientist, we need climate scientists. If you are a good artist, we need artists, too. And if you're funny, we need climate comedians. I’m not joking.

You Must Be Joking: Comedy as a Tool for Climate Action

In the last few years, comedy has been making its entry into the world of effective climate communication. Efforts like Climate Science Breakthrough in the UK, where comedians “translate” the analyses of straight-faced climate scientists, to the YouTube series Politically Aweh in South Africa, which discusses climate science with the use of TV show clips, are working to break the barriers to public engagement on climate change through humour.

Comedy has a fantastic ability to lower people’s defences and make hard-to-stomach topics more digestible. It has a long history of addressing tough topics. (34)________ Netflix shows like Baby Reindeer, about the screenwriter’s experience of being stalked, and Feel Good, a romcom about a comedian struggling with substance abuse, are two recent examples of humour being used to tackle trauma and emotionally heavy topics. A light-hearted tone and a touch of self-deprecation can go a long way to dismantling psychological defences to discussions about the climate and other topics we'd prefer not to think about.

Fast forward to a year after my first attempt at stand-up comedy, and I was collaborating with Countdown Comedy Club, an open mic show based in Brussels, to host an open mic night all around the theme of the climate. I’m used to being a token activist in the comedy scene. (35)________. But both seasoned comedians and newcomers took the stage to discuss their traumas from the German train system, the difficulty of dating while eco-anxious, and the love-hate relationship with cycling in the city. The bar was packed. And a lot of the audience members came from nearby offices of non-governmental organizations and European institutions. (36) ________.

Those of us already involved in activist movements, working in advocacy or elsewhere at the frontlines of tackling climate change, have to cope with constant exposure to negative news, and the knowledge that we’re working against sickeningly high stakes. In my own full-time job, I find myself pendulum-swinging between despair about the state of the world and obsessive workaholism to regain some sense of agency over the situation. (37)________. The overwhelming reaction made it clear how many people are struggling with the same.

Comedy faces the criticism that it risks trivialising serious topics. On particularly stressful days, I’ve stopped halfway through drafting sketches and wondered how I could ever joke about something like catastrophic flooding or destabilised food supply chains. But I did. And those have been some of my best performances. (38)________.

I feel that approach makes a difference. It allows the audience to relax. Just like in my online writing about burnout, the personal approach has served to create a more accessible and human space to discuss serious topics and break down barriers. It’s not just something I do for the audience’s benefit either. Sharing my work and its frustrations with other people can serve as a far healthier coping mechanism than sitting at home doomscrolling. As humans, we need comedy. (39)________. So, if you are a good scientist, we need climate scientists. If you are a good artist, we need artists, too. And if you're funny, we need climate comedians. I’m not joking.

You Must Be Joking: Comedy as a Tool for Climate Action

In the last few years, comedy has been making its entry into the world of effective climate communication. Efforts like Climate Science Breakthrough in the UK, where comedians “translate” the analyses of straight-faced climate scientists, to the YouTube series Politically Aweh in South Africa, which discusses climate science with the use of TV show clips, are working to break the barriers to public engagement on climate change through humour.

Comedy has a fantastic ability to lower people’s defences and make hard-to-stomach topics more digestible. It has a long history of addressing tough topics. (34)________ Netflix shows like Baby Reindeer, about the screenwriter’s experience of being stalked, and Feel Good, a romcom about a comedian struggling with substance abuse, are two recent examples of humour being used to tackle trauma and emotionally heavy topics. A light-hearted tone and a touch of self-deprecation can go a long way to dismantling psychological defences to discussions about the climate and other topics we'd prefer not to think about.

Fast forward to a year after my first attempt at stand-up comedy, and I was collaborating with Countdown Comedy Club, an open mic show based in Brussels, to host an open mic night all around the theme of the climate. I’m used to being a token activist in the comedy scene. (35)________. But both seasoned comedians and newcomers took the stage to discuss their traumas from the German train system, the difficulty of dating while eco-anxious, and the love-hate relationship with cycling in the city. The bar was packed. And a lot of the audience members came from nearby offices of non-governmental organizations and European institutions. (36) ________.

Those of us already involved in activist movements, working in advocacy or elsewhere at the frontlines of tackling climate change, have to cope with constant exposure to negative news, and the knowledge that we’re working against sickeningly high stakes. In my own full-time job, I find myself pendulum-swinging between despair about the state of the world and obsessive workaholism to regain some sense of agency over the situation. (37)________. The overwhelming reaction made it clear how many people are struggling with the same.

Comedy faces the criticism that it risks trivialising serious topics. On particularly stressful days, I’ve stopped halfway through drafting sketches and wondered how I could ever joke about something like catastrophic flooding or destabilised food supply chains. But I did. And those have been some of my best performances. (38)________.

I feel that approach makes a difference. It allows the audience to relax. Just like in my online writing about burnout, the personal approach has served to create a more accessible and human space to discuss serious topics and break down barriers. It’s not just something I do for the audience’s benefit either. Sharing my work and its frustrations with other people can serve as a far healthier coping mechanism than sitting at home doomscrolling. As humans, we need comedy. (39)________. So, if you are a good scientist, we need climate scientists. If you are a good artist, we need artists, too. And if you're funny, we need climate comedians. I’m not joking.

Task 7

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

Dan Shipper, the founder of the media start-up Every, says he gets asked a lot whether he thinks robots will replace writers. He swears they won't, at least not at his company. Every, though, also uses generative AI to create software products, including an online writing tool, that are core to its business. Subscribers pay $200 a year for (40)________ to those tools, which has led to about $1 million in annual revenue.

That revenue is tiny in the booming world of AI. But Every’s business has generated (41)________ interest inside media circles – and become something of a Rorschach test for the news industry. It is a symbol of AI’s potential to (42)________ journalists or unemploy them, depending on your point of view. On Wednesday, the company announced that it had (43)________ $2 million from a group of investors, including Reid Hoffman, the venture capitalist and founder of LinkedIn. That round values Every at $25 million, Mr. Shipper said.

Mr. Shipper, 33, started Every with a mission to combine articles from writers into a single (44)________, an old idea that has been tried many times. When that finally (45)________ the ground, he realized that he had essentially created a digital magazine. Mr. Shipper argues that the advent of generative AI is merely the latest step in a centuries-long technological march that has brought writers closer to their own ideas. Along the way, most typesetters and scriveners have been erased. But the part of writing that most requires humans remains (46)________: a perspective and taste, and AI can help form both even though it doesn’t have either on its own, he said.

Mr. Shipper said he had even used AI to prepare for the interview for this article. He said he had asked ChatGPT to do a (47)________ interview with him, as a kind of trial run to predict what questions he might be asked.

A boy of 24, looking out from the train’s window, shouted, “Dad, look, the trees are going behind!” Dad smiled, and a young couple sitting nearby looked at the (48)________ childish behaviour with pity. Suddenly, he again exclaimed, “Dad, look, the clouds are running with us!” The couple couldn't resist and said to the old man, “Why not (49)________ your son to a good doctor?” The old man smiled and said, “I did, and we are just coming from the hospital. My son was blind from birth; he just got his eyes today.”

Every single person on the planet has a story. Don’t judge people before you truly know them. The truth might surprise you.

A boy of 24, looking out from the train’s window, shouted, “Dad, look, the trees are going behind!” Dad smiled, and a young couple sitting nearby looked at the (48)________ childish behaviour with pity. Suddenly, he again exclaimed, “Dad, look, the clouds are running with us!” The couple couldn't resist and said to the old man, “Why not (49)________ your son to a good doctor?” The old man smiled and said, “I did, and we are just coming from the hospital. My son was blind from birth; he just got his eyes today.”

Every single person on the planet has a story. Don’t judge people before you truly know them. The truth might surprise you.

Visual spatial skills are necessary for children (50)________ from a young age. Children need to observe the world around them and grasp its vastness. A great way to do the same is to practice visual arts and learn different media like videography, photography, and graphic design. An education in art also guides young students in the right direction and helps them understand how they should see the world with their own eyes. Interpretation and perspective can be moulded (51)________ art. Those who practice art often develop visual-spatial intelligence more successfully than their peers.

Visual spatial skills are necessary for children (50)________ from a young age. Children need to observe the world around them and grasp its vastness. A great way to do the same is to practice visual arts and learn different media like videography, photography, and graphic design. An education in art also guides young students in the right direction and helps them understand how they should see the world with their own eyes. Interpretation and perspective can be moulded (51)________ art. Those who practice art often develop visual-spatial intelligence more successfully than their peers.

The reality of gig work for many is far less glamorous. It is often precarious, low-paid, and offers (52)________ of the protections or benefits that traditional employment affords, such as sick pay, parental leave or a pension. Were these workers to become ill or injured, they would have no safety net (53)________. The promised freedom has, for countless individuals, turned into a lack of security.

In response to this growing disillusionment, there is a movement to rethink the very concept of gig work. Many governments and labour organisations are now exploring new regulations. They are considering whether gig workers (54)________ as employees, thereby entitling them to greater nights and protections. While this would be a significant change, it is unlikely to please everyone. The platforms that rely on this labor model argue that such reclassification would threaten their business model, potentially leading to job losses and reduced flexibility for workers.

Ultimately, the debate is not about whether technology is good or bad, but about how we structure society and the economy around it. (55)________ the final outcome, it seems clear that the future of work will not be defined by a single model, but rather by a complex mix of new forms of employment and regulation.

The reality of gig work for many is far less glamorous. It is often precarious, low-paid, and offers (52)________ of the protections or benefits that traditional employment affords, such as sick pay, parental leave or a pension. Were these workers to become ill or injured, they would have no safety net (53)________. The promised freedom has, for countless individuals, turned into a lack of security.

In response to this growing disillusionment, there is a movement to rethink the very concept of gig work. Many governments and labour organisations are now exploring new regulations. They are considering whether gig workers (54)________ as employees, thereby entitling them to greater nights and protections. While this would be a significant change, it is unlikely to please everyone. The platforms that rely on this labor model argue that such reclassification would threaten their business model, potentially leading to job losses and reduced flexibility for workers.

Ultimately, the debate is not about whether technology is good or bad, but about how we structure society and the economy around it. (55)________ the final outcome, it seems clear that the future of work will not be defined by a single model, but rather by a complex mix of new forms of employment and regulation.

The reality of gig work for many is far less glamorous. It is often precarious, low-paid, and offers (52)________ of the protections or benefits that traditional employment affords, such as sick pay, parental leave or a pension. Were these workers to become ill or injured, they would have no safety net (53)________. The promised freedom has, for countless individuals, turned into a lack of security.

In response to this growing disillusionment, there is a movement to rethink the very concept of gig work. Many governments and labour organisations are now exploring new regulations. They are considering whether gig workers (54)________ as employees, thereby entitling them to greater nights and protections. While this would be a significant change, it is unlikely to please everyone. The platforms that rely on this labor model argue that such reclassification would threaten their business model, potentially leading to job losses and reduced flexibility for workers.

Ultimately, the debate is not about whether technology is good or bad, but about how we structure society and the economy around it. (55)________ the final outcome, it seems clear that the future of work will not be defined by a single model, but rather by a complex mix of new forms of employment and regulation.

The reality of gig work for many is far less glamorous. It is often precarious, low-paid, and offers (52)________ of the protections or benefits that traditional employment affords, such as sick pay, parental leave or a pension. Were these workers to become ill or injured, they would have no safety net (53)________. The promised freedom has, for countless individuals, turned into a lack of security.

In response to this growing disillusionment, there is a movement to rethink the very concept of gig work. Many governments and labour organisations are now exploring new regulations. They are considering whether gig workers (54)________ as employees, thereby entitling them to greater nights and protections. While this would be a significant change, it is unlikely to please everyone. The platforms that rely on this labor model argue that such reclassification would threaten their business model, potentially leading to job losses and reduced flexibility for workers.

Ultimately, the debate is not about whether technology is good or bad, but about how we structure society and the economy around it. (55)________ the final outcome, it seems clear that the future of work will not be defined by a single model, but rather by a complex mix of new forms of employment and regulation.

METHODOLOGY OF TEACHING ENGLISH AS A SECOND LANGUAGE

Task 9

Which competency is considered: it involves the ability to express one’s thoughts and feelings orally and in writing, to explain facts clearly and with strong arguments, as well as a love for reading, an appreciation for the beauty of a language, an understanding of the role of the language for effective communication and cultural self-expression, and a readiness to use the Ukrainian language as one’s native language in various life situations.

Interactive speaking involves ________.

You want your students to read for gist. Find instructions which are appropriate to this teaching activity.

The teacher asks students to complete the table by asking their friends about sports they like and don’t like. What interaction pattern is appropriate to complete this task?

This is a very common framework for lessons of all kinds. It is: familiar, simple and often effective. It usually works like this.

The topic and target are introduced at the outset.

The activities during the lesson progress from more to less controlled practice.

At the end, the learners can use the language in a personal way for real communication.

What type of lesson is this?

During the integrated skills lesson, after answering questions on the text, a teacher asked students to look back at the article and find an example of: the present simple in the question form (paragraph 2), the past simple in the negative (paragraph 6). The main aim of this stage is________.

Following the lesson on the topic of animals, the teacher asks learners to bring the photos of their pets to class and to talk about them in small groups. Why does the teacher ask to bring photos?

A teacher complains that her students like having the opportunity to read longer texts, but the ones in the book are really boring and unnatural. Choose the suggested solution to the teacher’s problem with their coursebooks.

Choose the general advice on motivation to encourage learner autonomy:

The teacher tells the learners that they will be going on a trip to visit archeological sights. In groups, learners should make a list of things they want to take with them. What type of language practice activity does this scenario represent?

Який вид діяльності відповідає засадам компетентнісного підходу до навчання?

Яке запитання спрямоване на рефлексію діяльності?

Проаналізуйте інформацію і дайте відповідь на запитання.

У Санітарному регламенті для закладів загальної середньої освіти зазначено, що «упродовж навчальних занять, які поєднують у собі психічне, статичне, динамічне навантаження на окремі органи й системи та на весь організм у цілому, проводять вправи з рухової активності для зняття локального стомлення і вправи з рухової активності загального впливу».

На що спрямовано дотримання наведеної норми?

Проаналізуйте інформацію і дайте відповідь на запитання.

Для визначення типу темпераменту учнів учителька використала тест-опитувальник «Коло» Г. Айзенка. Вона роздала дітям бланки й запропонувала підкреслити особистісні риси, які, на їхню думку, їм притаманні. Учень заповнив бланк так, як показано на зображенні.

Якому типу темпераменту найбільш властиві особистісні риси, підкреслені учнем?

Тематичне оцінювання навчальних досягнень учнів забезпечує все наведене, ОКРІМ

Для роботи з учнями, які мають провідний кінестетичний канал сприйняття інформації, ефективними будуть усі наведені завдання, ОКРІМ

Який метод дослідження спрямовано на визначення лідерів і аутсайдерів у класі й виявлення характеру стосунків між ними?

Проаналізуйте інформацію і дайте відповідь на запитання.

Під час уроку кілька учнів почали відволікатися й шуміти. Учителька зробила зауваження, але поведінка дітей не змінилася. Тоді вона підвищила голос. Після цього учні заспокоїлися, але наступного уроку ситуація повторилася.

Який висновок учительки буде помилковим в описаній ситуації?

Яка дія вчителя буде помилковою під час організації навчання дітей із синдромом Дауна?

Яка дія вчителя в разі булінгу є помилковою?

Яка фізіологічна система першочергово зазнає негативного впливу шуму?

Що з наведеного дозволено під час роботи учнів із комп'ютерною технікою в закладі загальної середньої освіти?

Яка дія вчителя буде помилковою, якщо він опинився в приміщенні школи, захопленої озброєними людьми, але не був ними знайдений?

Проаналізуйте інформацію і дайте відповідь на запитання.

Марійка вирішила на перерві протерти парти поліролем та освіжити повітря аерозолем. Коли учні зайшли до класу, одному з них стало зле. У нього почалися задишка, чхання, сльозотеча, з'явилися почервоніння та свербіж.

Яка дія вчителя буде правильною під час надання домедичної допомоги?

Проаналізуйте інформацію і дайте відповідь на запитання.

Під час навчального заняття в дитини стався епілептичний напад: вона впала, почалися судоми. Учителька помітила, що дитині складно дихати й вона може відкусити свого язика.

Що має зробити вчителька, щоб в описаній ситуації запобігти задиханню та уникнути потрапляння слини в дихальні шляхи?

Яке твердження відповідно до Закону «Про забезпечення функціонування української мови як державної» є хибним?

Проаналізуйте й доповніть речення, щоб воно стало правильним твердженням.

Спрямованість розвитку освіти на людяні стосунки в суспільстві, побудова стосунків учасників освітнього процесу на основі зміни стилю педагогічного спілкування від авторитарного до демократичного – це

Прочитайте речення (цифрою позначено наступне слово).

Хоча проблема (1)підліткового (2)читання не є (3)новою, проте шлях її вирішення зовсім не (4)легкий, бо юних читачів і читачок може зацікавити не стільки (5)обкладинка чи (6)перебіг подій у творі, скільки (7)виразні характери героїв, їхні стосунки.

НЕПРАВИЛЬНО виділено букви на позначення наголошених голосних у ВСІХ словах, позначених цифрами

Яке речення містить граматичну помилку?

Індивідуальна робота – це не просто виконання навчальної програми, а й турбота про внутрішній світ кожної дитини. Адже кожен і кожна – це (1)________ зі своїми мріями, страхами та особливостями. Щоб допомогти дитині подолати навчальні труднощі, важливо створити атмосферу довіри та безпеки. Це означає відмовитися від покарань чи санкцій і замінити їх конструктивним діалогом. Отже, педагогічна підтримка – це не просто допомога в навчанні, це турбота про всебічний розвиток дитини. Це (2)________ в її майбутнє.

На місці пропуску (1) потрібно вставити

Індивідуальна робота – це не просто виконання навчальної програми, а й турбота про внутрішній світ кожної дитини. Адже кожен і кожна – це (1)________ зі своїми мріями, страхами та особливостями. Щоб допомогти дитині подолати навчальні труднощі, важливо створити атмосферу довіри та безпеки. Це означає відмовитися від покарань чи санкцій і замінити їх конструктивним діалогом. Отже, педагогічна підтримка – це не просто допомога в навчанні, це турбота про всебічний розвиток дитини. Це (2)________ в її майбутнє.

На місці пропуску (2) потрібно вставити

Яке з наведених висловлювань учителя містить некоректне формулювання щодо виконання учнем завдання?

Мету повідомлення «Створюйте віртуальні класи й використовуйте метод менторства, щоб спілкуватися з учнями неформально в малих групах» НЕ передає речення

Яка порада щодо надійного захисту паролів у цифровому середовищі є раціональною?

Яке з наведених тверджень є хибним?

Яку функцію виконує позначена кружечком кнопка на панелі?

Яка дія буде правильною в разі отримання електронного листа, подібного до спаму?

Проаналізуйте інформацію і дайте відповідь на запитання.

Ви проводите тестування і хочете, щоб учні отримували завдання з огляду на їхні попередні відповіді. Починаєте тест із запитання «Як ви оцінюєте свій рівень знання теми?» з варіантами відповіді: початковий, середній, достатній, високий. Учні, які вибирають опцію «Початковий», отримують найпростіші тестові завдання, а ті, хто вибирає опцію «Високий» – отримують найскладніші завдання.

Як за допомогою Google Forms можна створити логічний перехід в опитуванні, де результати одних запитань можуть визначати добір наступних?

Особистісно зорієнтоване навчання характеризують усі наведені ознаки, ОКРІМ

Під час активного слухання учні мають